Rod Morgenstein
What makes a good drummer, or any musician for that matter? Talent. That talent could be purely natural, could be an ability infused by intense pursuit through education and practice, or a combination of both. What is an excellent indicator that sets a particular musician above most others who do the same thing he does–longevity in the business and being so off-the-charts excellent that his talent is continually sought after.
Rod Morgenstein is a professional drummer who has been beating time on the skins for about 30 years. From the 1970’s to the present, his gift has made a way for him through involvement with several bands and into the halls of Boston’s Berkee College of Music as an Associate Professor of Drums/Percussion.
The 1970’s progressive fusion band, the Dixie Dregs, was really the springboard spurring on the Morgenstein name as a drummer now on the scene, worthy of vigilant attention. No doubt Rod’s rhythmic contribution to the band helped them garner multiple Grammy nominations during their prime. He can also boast such accolades as Best Progressive Rock Drummer for half a decade from a popular trade magazine, and the praise of fans exalted him in 1999 as Best All-Around Drummer.
When the Dregs ceased to exist, Morgenstein found himself in a lull for awhile, but wasn’t afraid to take some chances and make some changes. He relocated to New York from Atlanta, Georgia, which resulted in meeting Kip Winger and Reb Beack. After jamming together the chemistry was evident. Now Rod was to burst into the forefront again as a part of, Winger, a popular, successful metal band. He was highly criticized for this move, but his appreciation of music’s many styles and his flexibility continued to create paths for him to express his immense talent. Morgenstein’s portfolio also includes working with the progressive rock bands, Platypus, Jelly Jam, and Jazz Is Dead.
To lay down tracks in a studio is the dream of every musician. Morgenstein has had the privilege of recording multiple albums, one of which sold a couple of million, far exceeding the expectation of Atlantic Records.
The Rudess/Morgenstein Project stretched Rod’s comfort zone, taking him to another dimension out from behind the drums. For the first time, he authored half of the music laid down on this album. He claims this to be the project of which he is most proud.
Rod has also branched out sharing his wealth of experience and knowledge through various venues. He has authored many educational drum resources in different formats for those desiring to achieve greater skill and mastery. He has been a column writer both nationally and internationally.
After decades of success making a living through his unique talent, interviewers have observed something very special. When someone engages Rod in conversation about drums, his face reveals more than his words. To this day, excitement beams from his eyes and a smile lights up his face just exactly as it did 30 years ago. Now that’s true love.
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